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American Artist | 1929 - 2014

Mel 
Casas

Cultural Adjuster. San Antonio painter whose Humanscape series, 150 large canvases made between 1965 and 1989, turned the language of film, television and advertising back on American culture. 

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RECENT NEWS

The Whitney acquires Humanscape No. 56

Following its showing in Sixties Surreal (September 2025–January 2026), Humanscape 56 (San Antonio Circus) entered the Whitney's permanent collection in 2026.

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It joins Casas' works at the MoMA, Smithsonian American Art Museum, Crystal Bridges, Museum of Fine Arts Houston, the McNay, SAMA, and others. 

Humanscape No. 56 (San Antonio Circus '69). 1969 Acrylic/canvas 72 x 96 in.  Whitney Museum of American Art; acquired 2026. 

Selected Humanscapes

Humanscapes 1 - 32
(1965 - 1967)

Humanscapes 33 - 93
(1967 - 1977)

Humanscapes 94 - 150
1978 -1989

1965 - 1967

1968 - 1977

1975 - 1981

Cinema & Sexuality

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The drive-in screen as a frame for desire and spectatorship. 

Political paintings

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Advertising stereotypes and the Chicano movement. 

Art about art

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Sly commentary on the art world and its conventions. 

1982 - 1989

Southwest Clichés

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Regional kitsch reimagined, played straight and played for laughs. 

Exhibitions

2026

Culture Commons Gallery

San Antonio TX

2025

Whitney Museum : Sixties Surreal 

New York NY

2024

Pérez Art Museum Miami

Miami FL

2019

Smithsonian American Art Museum

Washington D.C.

2019

Crystal Bridges Museum

Bentonville AR

About the Artist

A painter of the American screen

Melesio "Mel" Casas was born in El Paso in 1929 and worked for most of his life in San Antonio as a professor and chairman of the art department at San Antonio College. He was also a founding member of the Con Safo art group.

His Humanscapes paint a canvas within the canvas, a nod to the drive-in movie screen, and added a title plate below. With that format he took apart the images American media made of the people watching it.

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